Tuesday, October 31, 2006

HAPPY HALLOWEEN!

In the grand and glorious tradition of Famous Monsters of Filmland in its heyday, I ask you on this exquisite October 31st, 2006 --

What Is It?



(Thanks to super Paleomaster Michael Ryan and the amazing Peter Von Sholly,
it's a glimpse of a Halloween goodie from our collective past
-- 1963, to be exact! -- that never existed!)

[Michael sculpted the figure, based on my own character design for N-Man,
co-created by AM and yours truly,
and Peter designed the faux-Aurora Model Kit box art;
Special thanks to both for permission to post this art here.
N-Man (c) and TM Stephen R. Bissette, all rights reserved, 1993, 2006]

Have a boo-tiful Halloween!
I'm off to White River Junction and the Center for Cartoon Studies to teach my ass off, and savor Halloween with the CCS crew.

Have a great one yourselves!

Monday, October 30, 2006

Hmmm, now what's this up to? Wild winds blowing the blog askew?

Time will tell... it's winter at last in VT, with the first scant snow spicing the air ever so slightly last Tuesday, the first sleet (not sticking to the ground, but bouncing audibly off the windows) hitting very early AM on Saturday. Today, though, is exquisite -- breezy, windy even, but just a marvelous autumn day. You can taste Halloween.

Ah, shit, blogging post/publish problems again this AM.

More later --

The Big News, Part Two
(and Misc. Monday Musings)

Marge and I have been packing all weekend. Yep, that's how far along we are in this moving process. I rented a storage facility Friday AM close to our planned new home, and we've both been working diligently at the tasks at hand -- from bank meetings to realtor matters and the preliminaries of putting our own Marlboro home on the market -- while making the change concrete with the beginning of the moving process.

I have packaged up and am later this morning shipping six more boxes to the Bissette Collection at HUIE/Henderson State University, along with boxes going into storage betwixt Tuesday and our hoped-for moving day down the road.

Amid this packing, I've also begun to see to some packing up of long-malingering issues and matters. Marge and I are moving into a new phase of life, and embracing all the changes that offers.

There is an emotional and psychological cartography to such life moves that transcend mere geographic boundaries.

************

The geographic parameters are inticing to me in and of themselves: I lived the first (approximate) quarter-century of my life in northern Vermont, in and about Essex Jct. (till age 4), Duxbury, Waterbury and Colbyville (thru age 20), Johnson (for my first two years of college at Johnson State College, until I was 23 or so). The next quarter century was (after a little over three years in New Jersey, attending and then in the immediate orbit of the Joe Kubert School of Cartoon & Graphic Art, Inc. in Dover, NJ) spent here in southern Vermont, in Wilmington and Marlboro. Here, I forged my comics career; married my first wife, Marlene (then Nancy) O'Connor, and together we raised our two children, Maia and Daniel, from home-birth in a house in Wilmington's Chimney Hill development to childhood and adolescence in the backwoods of Marlboro (with our own pond!), thru their high school years in Brattleboro to their present young adult lives (both now in their 20s). Here, I also brought my comics industry years to a close, ended one marriage and entered happily into another (with Marge), and managed not to burn too many bridges in the process, come what may.

Now, Marge and I are moving to a part of my native state I have never really explored much, but which has become central to both of our lives via our professions and work paths. Windsor, VT, here we come! There's also a metaphoric aspect to this move: Windsor was the birthplace of Vermont, as the village's historic marker and "Welcome to" signs so proudly proclaim. For me, I am happily entering a new phase in my creative life, associated as it is now so closely with education and passing on all I know to the best of my ability. Another birthplace, at age 51. Not too shabby.

*************

But it's the emotional and personal historical element of this pending life change that concerns me today (among many other things, mind you). Some of that is none of anyone's business -- the new phase of life I am enjoying with my own kids, Maia and Daniel; the new dynamic this move may create with my stepson Mike and his wife Mary -- but some of my life has been rendered (in part by myself) very public, and it's that which I wish to steer you to this morning.

Part of packing up, finding homes for, and disposing of one's past includes dealing with one's personal and professional history. Determined to at last put behind me, with some sense of completion, all that still lingers from the life in comics I chose to leave back in 1999, I am also seeing to tying up loose ends and taking out the old shit.

  • My response to the June 17th letter from Dave Sim is here; read Dave's letter first, please, and follow through the relevant links.
  • If any of you care to discuss this, please, don't do so here on the blog comments --
  • I'll be engaging in any dialogue this provokes here, on the Creator Rights Forum.

  • Once I see through this process, I'll be actively posting anew on Al Nickerson's Creator Rights forum and board, discussing the historic precedents to the current creator rights state of affairs; this is emerging, quite naturally, out of my ongoing research for and teaching of comics history at the Center for Cartoon Studies. I eagerly look forward to the day I can indeed post such discussions without the baggage of my own checkered comic career constantly interfering with any viable meditations on broader creator rights issues most relevant to the new generation of cartoonists -- about whom it's all about, now.

    This is also about laying old ghosts to rest, my friends.

    And with that, I bid you -- Happy Pumpkin Night, and have a great Halloween tomorrow!

    Sunday, October 29, 2006

    The Big News

    Details to follow -- Marge and I are indeed moving from our beloved Marlboro, VT home to a Vermont village much further north.

    We are doing so primarily due to work issues, and to minimize the distances we drive regularly for our respective jobs. But this is also a momentous life change, and we are embracing it as such. A great adventure lies ahead!

    To that end, I will be using this blog (and at least one other online venue) to put 'paid' to some malingering past issues.

    This is to clear the decks for the absolute commitment to our futures -- in a new town, a part of the state I've never lived in before -- and to the new personal and creative vistas that wait ahead.

    It will be a momentous task, and there's much, much work to do, but we're on our way. This announcement follows much work, and this week's notice to many family and friends that we're now on a new path to our new home.

    Stay tuned!

    Friday, October 27, 2006

    Two Recommendations and
    One Observation
    on a Friday AM


    I'm planning a full review for later this weekend or week, but here's a heads up for CCS senior Alexis Frederick-Frost's first self-published graphic novel,
  • the Xeric-Award winner La Primavera, which is now for sale to one and all here!
  • A mere $9 brings this beauty cycling home to you, and it's well worth every franc. And believe you me, this is just the beginning of ripe fruit to come from the CCS tree. Kudos to Alexis, and check it out -- now!

    And I must let you know about the Trees & Hills and Friends anthology comic just out, which my son Dan and I have a humble two-pager in, and that's all
  • here for a pittance of $3 plus shipping (and whatever else you choose to buy from the site).


  • Trees & Hills cofounders Dan Barlow and Colin Tedford are the editors and coordinators of note, coaxing comics from crusty old-timers and neophytes alike, and the comic debuts this week (Colin is off to Stumptown Comics Fest in Portland, Oregon, and Dan will have a clutch of 'em to sell at the The Comic Book Show in Nashua, N.H. on Oct. 29). Hence, this announcement!

    Trees & Hills and Friends is a fat 60 pages, packed with 19 comics by 22 creators from NH, VT and western MA, namely Megan Baehr, Daniel Barlow, Marek Bennett, Daniel Bissette, Stephen R. Bissette, Bill Couture, Colleen Frakes, Cat Garza, Chris Grotke, Jade Harmon, Tim Hulsizer, Matt Levin, Mark Martin, Keith Moriarty, Kathie Mullen, Blake Parker, Morgan Pielli, Zach Stephens, Bryan Stone, Colin Tedford, Anne Thalheimer, and M.R. Wilson. All that for $3. Such a steal!

    Dan Barlow adds, "We'll have more information soon on where in New England to purchase copies soon. And there will soon be exciting news about a Trees & Hills gallary showing in Brattleboro, Vt. too! Plus, we're planning some release parties for the anthology in the three states for November and December." So, keep your eyes open here for more info and links as all this goes down.



  • As the unceasingly arrogant non-elected Republican architects of the Iraq War tell reality -- uh, critics to "back off!",
  • the upcoming election looks like it's increasingly about that very war, and its complete mismanagement. Still, it's scary to hear/read how thoughtless most Americans are, and how superficial their perceptions, of all that's gone down since 2001. As I've written here before, we truly deserve whatever happens to us as a country. There's no excuse for complete ignorance and utter indifference to the unprovoked wars, destablization of the Middle East, global disruption, global remilitarization (hell, even Japan is rattling sabers long buried) and new cycles of violence we've (via the Bush administration) willfully fomented.

    OK, I'm outta here -- got a full day up in White River Jct. and Woodstock, VT today, and big -- big -- news likely next week relevant to all that...

    Thursday, October 26, 2006

    More Happy Happy Fun From the Folks Who Love to Put the Screws to Ya --

    Not satisfied with completely selling out our country via the most massive national debt in US history (after, of course, squandering the largest inherited surplus in US history, primarily on tax cuts for their rich cronies), and revising bankruptcy laws to further subjugate the populace in an increasingly hostile economic environment,
  • the GOP is quietly making sure as many members of the current college generation plunge into irrevocable debt, too.
  • What ever happened to usuary laws? How far up the ass of corporate loan sharks can the federal government climb? How completely fucked can every not-rich US citizen be before Bush finally slithers out of office in 2009?

    Tuesday, October 24, 2006

    VOTE

  • Having been through the Vietnam era, I tell ya -- it's looking more and more like a draft will become necessary to this fucking war.


  • VOTE.

    And now, it's working --

    -- so we'll see how long this lasts!

    Latest on the Blog Woes:
    "...a new server which has no ending..."

    This from Marlboro computer guru Jane Wilde, who is working to repair the site and this blog. Amazing!

    I've edited this missive slightly, but here's what Jane got from the blog support folks, which shows it isn't just my blog suffering of late:

    Problems encountered

    We have been battling a migration to a new server which has no ending. The old server IP for web host manager is -----------------...

    The new server is WHM ----------------- ... our help desk is one week behind in dealing with the hundreds of help desk tickets that have been spawned by this problem. We have attempted to hire help with no success. The reality is, if your site is down, it needs to be moved to the new server. We do not have the man power to move the site in a timely manner and I suggest that you log into the old servers cpanel and download the backup file, and log into the new server and upload the same backup file. Otherwise it could take up to a week for us to do it. The wwwroot20 server has in two weeks lost the motherboard and main drive to an overheating problem, then The backups were put into a new server in the same data center. A new server was built and placed into our Indiana data center and sites were migrated to it. The sites currently reside in that server, although due to data corruption in the GNAX server not all sites could be moved. And the backup drive on the wwwroot20 server at GNAX has also died as of a few days ago.

    The new wwwroot20 server is a brand new dual core opteron with striped and mirrored hard drives and the reliability of this setup makes the server nearly guaranteed to be trouble free, and sites were migrated there because we no longer have any confidence in GNAX to handle these hardware problems in a timely manner, or even to have the hardware in stock.

    This unusual problem has been made worse by two other servers going down, a recent cpanel security update destroying many functions of CPanel, not once but every twelve hours on all 20 servers for a few days. And a brand new server's MySQL which did not work out of the box. In a month everything should be back to normal, barring any new surprises, but right now there are long waits for support, and it will not get any better this week. Calling will do no good as we are all working on current problems. We can answer the phone until phone requests add so many hours to the work queue that it is pointless to continue to add to it. Very sorry for the trouble, but that is the way it is at the moment.

    Well, there you have it -- more news as we have it, posted for you once & as we can do so...

    Ah, Screw the Course

    The President's change in strategy in Iraq is --
  • which, by the way, is not a change in strategy -- he will no longer say, "Stay the Course."

  • How can Tony Snow keep a straight face and deliver this sick gag?
    Can this get any loopier?
    Can we all vote this party out of power, please?

    Monday, October 23, 2006

    This is maddening -- the blog simply will not accept my posts for publication!

    Again, I hope you all get to read what I've been posting sometime soon, and may have to abandon this blog sight for another if this isn't resolved and functional soon.

    It's Snow Tire Day!
    Plus: TCSM, Grudge Prequels and Sequels, more...

    Ah, that annual fall ritual of snow tires. I found I still had two good ones in the garage -- remnants, I believe, of my son Dan's car, passed down from father to son lo a number of years ago, and abandoned by yon son about a year ago for a life of downtown living, free of vehicular costs and obligations -- so it's off to the Tire Warehouse for a new set of skins on the front and this pair of one-more-season treads to be placed on the rear.

    It snowed in Burlington on Friday, and the weatherman claims we higher elevations may see the same by tomorrow. So, no monkeying around -- snows go on today, come hell or, uh, whatever.
    _______________

    It doesn't appear my Lovecraft event posts are yet published, so no point elaborating further this morning. Had a glorious day yesterday with Joe Citro, my son Dan, and Mike Dobbs; we enjoyed Christopher Nolan's The Prestige at a full-house matinee in Hadley, MA, followed by BBQ dining in style at Bub's. I felt blessed: two of my best friends on Earth, my son, good food, good movie, great company.
    ________________

    Earlier last week, I caught Texas Chainsaw Massacre: The Beginning and The Grudge 2 as a self-made double bill at the local Kipling Cinema (hello to Don and Ben), and meant to post some comments here, but time and the blog troubles postponed that effort. Sigh.

    In short, TCSM: The Beginning was, primarily (I think) thanks to co-scripter David Schow (though I shouldn't short-shrift credited scribe Sheldon Turner or director Jonathan Liebesman), a surprisingly effective return to roots for the franchise, with none of the flaws of the remake and a determination to honor the Tobe Hooper/Kim Henkel original as best as possible given the new backstory imposed upon the material by the Michael Bay-produced remake of two seasons ago. The newly-concocted Korean War context for the clan's cannibalistic appetites was deftly imposed on the non-cannibal remake's scenario, which coupled with the re-embrace of the original's slaughterhouse unemployment backstory (sadly sans Grandpa) and overall black comedy extremes (including impromptu leg surgery on an injured family member -- or dismember) neatly re-tapped the 1974 vein. The '70s setting also enhanced the tension here among the young interlopers, with its overt Vietnam War context, given the teen characters a far more sympathetic (and timely) portrayal than usual in the genre. In short, I cared what happened to these two couples, despite the well-founded suspicion the absolute worst was going to happen to them all (it does). I found myself caught up in the first genuine suspense the TCSM series has offered since the last sequel Schow had a hand in (Leatherface, the New Line sequel with the inspired 'speak'n'spell' sequence).

    This most American of the season's horror films brings the pot to full boil and succeeds in letting it boil over with scalding intensity by its final act, which neatly concludes with a precise close of the circle: the narration of the Henkel/Hooper original. Neat, and in and of itself more satisfying than this prequel had any right to be.

    Sans any pretensions and a complete determination to stick to the mythos and ethos of the original 1974 film's nightmarish modus operandi despite the big-bucks studio umbrella, TCSM: The Beginning works jes' fine for those inclined to revisit the uniquely Texan circle of hell at ground zero of this unlikeliest of corporate media franchises.

    The Grudge 2, though, was a splintered and frayed extension of an already-pretty-thin Japanese series and its 2004 US remake, more compelling as an artifact/mirror of the current international malaise than as an exercise in horror.

    Bad things not only happen to complete innocents in this one, the viral haunting goes global as the oragami-fold narrative discloses a US apartment complex infected by a lone teenager home from her terminated schooling in Japan, undone by a 'hazing' encounter with the original malign abode. This places a wide-eyed shivering young lad at the epicenter of the atrocities, including the nasty implosion of his family (including new stepmom Jennifer Beals, who opens the film with a risible bit of domestic revenge involving hot bacon fat and a frying pan), though his plight isn't particularly affecting, undermined in part by the film's calculated fragmentation of the chronology of its events.

    A Nicolas Roeg might have been able to pull off this conceit at his 1970s peak, but Grudge 2 just lumbers along, victimizing an increasing radius of non-transgressors and folks who've done nothing to incur the wrath of the wraiths save exist in proximity with the wrong person. It's interesting in hindsight to interpret what the insatiable spectral carnivores are ultimately engaged in as an inverse Rapture: the innocent indeed vanish, but not to a greater glory.

    Call it karma, which it most certainly is -- The Grudge 2 offers another genre mirror of the unintended consequences of our Iraq War foreign policies. The ravenous spirits are now imposing, tit-for-tat, their own preemptive strikes against the living; thus, the US-produced Grudge 2 is a surprising companion piece to the original Kiyoshi Kurosawa feature Kairo/Pulse (2001), the most insidiously prescient and apocalyptic of all 9/11 horror films to date. Grudge 2 relentlessly portrays a world so tainted and askew that one now need do nothing to incur the wrath of the all-devouring ghosts. Welcome to the post-9/11 reality rendered metaphysically: as I said, a bone-chilling cultural artifact, but not a particularly effective horror movie in and of itself. As the horrors unreeled, I felt so disconnected from them (symptomatic of much of the Ghost House productions, I've found) I ceased to feel much of anything, save numb and rather bored. This emotional disconnect surely isn't the intention of the filmmakers, though it made contextualizing Grudge 2 as a movie more compelling than experiencing the movie.

    Its wider canvas and international context (still under the directorial guidance of the original Ju-On/Grudge Japanese director Takashi Shimizu) is what makes Grudge 2, despite its failure as a horror movie, compelling to me: this is what America has become to foreign eyes, a land where the next generation is already paying for transgressions on foreign shores, suffering for the actions of others, for crimes the children have no part in, knowledge of or culpability for. They will suffer, and they will pay the ultimate price, without ever knowing what for, or why, or by whom or what.

    Needless to say, there's also a political dimension to TCSM: The Beginning, given the context of our own times, though that's in part due to the fact the Vietnam War era it is set within is so uncannily attuned to our 2006 present reality. Like the current horror movie torture cycle I've already discussed at length on this blog, TCSM:TB (the most disease-like of the title abbreviations) thrusts its young protagonists in the "strap 'em to a chair" reality of our War on Terror/Pro-Torture President times, but unlike the xenophobic Hostel, it's a die-hard true-blue Texan (who has failed to sustain anything but an appetite for human flesh and inflicting agony from his Korean War experience) who's clearly in charge. No surprise the scariest (fake -- like Bush, he "seizes the election," so to speak, after a pointed bit of character assassination) law enforcement officer since Frailty (2001, the most honest and prescient of all American horror films of its year, directed by Texan Bill Paxton) is likewise a Texan, played to the hilt by R. Lee Ermey. There's no doubt who is holding the smoking rifle or guiding the chainsaw in this pic, and how deranged this patriarch really is; it's worth noting again, natch, Bush isn't a true Texan, born as he is in Connecticut and all, but he presents himself as a Texan, and the Ermey character of "Sheriff Hoyt" is clearly a reflection of that media projection writ large and free of all political constraints: he literally feeds on our young, with lip-smacking tobacco-spitting glee.

    The spectacle is horrifying, the abuse of power absolute; that it all happens on American soil rings truer than ever before. Reduced to this brutally efficient (metaphoric) arena and stripped of all political niceties, the unslakeable craving for power over life and death and desire to inflict pain to assert and overtly feed that power (the prequel's readoption of the cannibalism motif is apt) is indeed a terrifying caricature of our own present 21st Century leaders -- rendered all the more terrifying by the most recent actions of President Bush, Cheney, et al, coldly disposing of habeas corpus as the law of the land after arrogantly asserting their right -- need -- to torture as a national imperative. All that happened this fall long after TCSM: TB was long in the can and out of post-production, but it's added a whole new dimension to the film's grand guignol mirror of our times. Like Sheriff Hoyt's clan, Bush and his cronies can now take whomever they wish, do to them whatever they choose, and dispose of the evidence/remains without qualm. Remember the fucking Alamo, indeed.

    Once again, the horror flicks are the bluntest aspect of the pop culture -- which has, after all, thoroughly infected & undermined what passes for news & journalism in 2006 -- dealing with the grim new Iraq War reality of the current generation. The teens most affected by this new reality are getting their 'truth' from The Daily Show and horror movies, and both aren't pulling any punches.

    "It Never Forgives. It Never Forgets" -- the tagline of the first US Grudge remake's advertising -- has perverse new resonance. It -- the World -- doesn't, nor will it.

    Meditate on that, won't you?
    ______________

    More blogging woes; it seems interminable, and I've no idea what is going on.

    I write daily to blog support, sans reply or any apparent action -- seems every three days, the malingering posts in the lineup on the editing board (they're all there) magically appear at last on the blog, with no resolution to the daily inability to publish my posts. I'll slog through a few more days of this, but it's become an increasingly fruitless endeavor.

    Sunday, October 22, 2006

    Spinning Heads & Head Spinning

    Yesterday was the main day of the Horror in the Hills/H.P. Lovecraft in VT event, and I quickly found myself in -- one of those days. Though I think it all went OK in the end, with most of the disorienting nature of the day invisible to all, it was a real head-spinner.

    The spinning was, now that I place everything in context, kicked off by another bout of "I can't publish my post!" spinning-wheel frustration on this very blog, as the week-long technodread associated with this venue reasserted itself. (It's now the norm, damn it.)

    The plan was to drive to the Dummerston Town Grange locale of yesterday's festivities with my amigo Joe Citro, a fellow guest and semi-organizer, in two cars (so Joe could leave whenever necessary; my obligations extended to the end of the show, with the presentation of two Lovecraft films, Joe was free to go before that -- and did).

    En route, I had to turn around to head back home to grab the combo DVD/vhs player I'd forgotten to pack the night before, intent as I was on making sure my laptop slide presentation was in order and everything I did remember to pack was indeed in the car.

    Part Two of the day's plans was to dash into downtown Brattleboro to pick up my son Dan around 2 PM, as he got off work, and drive him to the Lovecraft event for the afternoon panels and such.

    Part One of the plan went OK through breakfast (at the Chelsea Royal Diner, where we found ourselves standing in line with two of the Lovecraft attendees, who were quite cordial and conversational: a good omen). After breakfast, though, a quick stop at the little gas station/convenience store perched alongside the Exit 3 rotary off interstate 91 led to Joe and I getting seperated. As I came off the rotary heading up Route 5, Putney Road toward the grange, I looked in my rear-view mirror to see -- no Joe. I pulled over by the ballfield and waited -- and waited. 10 minutes later, I turned around and went looking for Joe.

    No Joe.

    Knowing he was fully capable of finding any town in Vermont, however remote, I turned about after some fruitless backtracking and heading to the Dummerston Grange solo (sure enough, Joe had taken a long way around to the grange, and showed up jes' fine about 20 minutes after I got there).

    Once there, the usual convention setup disorientation -- with halting conversations conducted between dashes out to the car to get my boxes of sale items (prints, books, DVDs, etc.) and the equipment necessary to the afternoon presentations (my laptop lecture on Lovecraft in Comix, with a focus on Jack Jackson and Richard Corben's seminal Skull adaptations, and the end-of-show pair of films) -- kicked in, though soon all was in order and I was happily chatting it up with folks at the conference, selling odds & ends, and in full show mode.

    The pisser for this ol' Pop was the subsequent confusion over the panels and schedules. Plan Two had been prepared around the schedule of events we'd picked up the night before, with Dan and I making our rendevous plans around a slot around 2 PM when it looked likely a dash to Brat and back would be a piece of cake. By 1 PM, the schedule was being rerouted, and I found myself around 2 PM hustled onto the stage as part of a panel originally scheduled for 2:45 -- c'est la vie! -- and, while on stage, suddenly realizing I was supposed to be in Brat picking up my son right now, with no way to gracefully exit as I had been appointed moderator amid the shuffle -- with two guests added to the panel onstage only I knew anything about. I somehow kept myself from breaking out into a cold sweat, and carried on. The panel was, from my seat, madness, though I think we pulled it off.

    To make a long story short, my panicked exit at the end of the panel to call Dan was complicated by more schedule reshuffling needing immediate attention and a struggle to find a phone to call Dan. Once I did so, there was no signal, then I got through, and by the time I'd succeeded in leaving four messages for Dan (all apologies -- he is, of course, 20 years old and was waiting in Brat, his town, so it's not like he was five years old and I'd stranded him completely, though I sure was feeling like the worst Dad on Earth by this point) it was 3:30 and hopeless. This Dad had majorly fucked up. Dan and I finally connected last night, and all's well (turns out he'd forgotten to mention it was his friend Matt's wedding, and he ended up spending the afternoon at the wedding reception, so all was well, and he no doubt had a better time there than he would have with us old fuddy-duddies), but -- well, you get the idea. I fucked up.

    More headspinning disorientation madness followed, though again it was (I think) invisible to everyone else, Joe included. My mind was a miasma of parental agony (I'd abandoned my only son! What a shit I am!), and nothing offered recovery or relief. I managed to settle into my laptop lecture shortly after the appointed time, after serving as my own roadie and seeing to the tech setup. Co-organizer Sheila insisted I eat something, and a bowl of organizer Alan Eames's chili went some way to reestablishing my balance.

    The films followed, and to my horror the first feature was, once projected digitally onto an archaic silver grange screen (the old 1950s/'60s gray-ground-glass kind designed for slide projection), damn near impossible to see. Lovecraft's fiction indeed thrives upon barely-glimpsed horrors and unseen terrors, but this was ridiculous: the film was reduced to occasionally-visible edges of faces and murky gray soup split by flashlight beams, the sound mix tinny and often indiscernable via the sound's muffling in the grange auditorium. It was excruciating (no fault of the film or filmmakers, mind you), and I'm amazed anyone sat through it. As a film programmer/exhibitor since junior high school, I'd had experiences like this before -- unless the audience en masse revolts, you just shoulder on. Well, no one was complaining, out of either politeness or genuine interest, I couldn't tell. Some were laughing properly at key lines of dialogue, some seemed to be responding to the action (which, from where I sat in the back of the hall, was impossible to make out) -- they were enjoying the film, so you let it run. Someone is enjoying it, they paid their dollars, and you let it run its course. Thankfully, this eventually ended.

    The second feature went swimmingly: The H.P. Lovecraft Historical Society's The Call of Cthulhu (2005) sounded and looked pristine, its black-and-white photography and imaginative imagery sharp, its musical score clear and resonant, the entirity blessedly and entirely clear, sharp, and enjoyable, rewarding all who endured the prior hour of agony. However, the head-spinning was not yet over: I had a major karmic debt to repay.

    Toward the end of the first feature, organizer Alan Eames shouted, "Steve Bissette! Is Steve Bissette still here?" into the hall, and I dashed out of the hall to talk to Alan. He asked if I could see to closing up the grange: no sweat, easy pie. I'd closed more than one Vermont grange up in my lifetime. I accompanied Alan to the basement kitchen, said goodbye to Alan and his wife Sheila, son Adrian and all, made sure I knew my duties, and they headed home after cleanup as I headed back upstairs to see to the rest of the film event.

    After the triumphant applause for Call of Cthulhu, I had to bow out of a loose plan or two to make sure I attended to my new duties (and to see, ASAP, to Dan and my houseguest Joe's needs -- I'd yet to reach Dan, able only to leave messages, and Joe had headed home early, exhausted and eager to snag a nap).

    After farewells, a new dilemma: a lone attendee was stranded, with an hour to go before his ride (his father) was scheduled to arrive. It was an inversion of my own grevious faux pas with Dan: a son stranded until his father arrived or could be reached or found. With darkness reigning over all, the crisp fall temperature already down to 37 outside, the grange having to be closed up, and no way to reach his ride (he left cell phone messages, just as I had earlier in the day for my son), I volunteered to get him whereever necessary, and we closed the evening chatting and driving up and down the route twixt Dummerston and Brat until his cell phone rang and rescue was arranged.

    All was well, and I was at last able (with eerie ease at last) to reach Dan by phone immediately after all this.

    A couple calls back and forth, a call up to Joe at my hacienda, and I was at last on my way home after a busy, productive, profitable, but in many ways quite discumbobulating day.

    This is the short version, mind you, minus the multitude of other momentary speedbumps, omens and odd events that emphasized, stem-to-stern, that Lovecraft Day was to be a day of confusion and turn-on-a-dime upsets and recoveries.

    Thankfully, it's now Sunday, and it's all behind me.

    Joe
    and I are looking forward to an inconsequential day of pleasure, visiting at some point with our good friend Mike Dobbs and hopefully catching up with Dan for a meal or two. All, it seems, is well.

    Now, let's see if this post will post -- or if the wheel of unpublishable shame still spins, spins, spins --

    [PS: 9 AM -- It won't post/publish, damn it! I'm once again writing to blog support -- they who never reply but seem to mysteriously see to my posts finally appearing days later -- as I have almost every day now for over a week, and cursing these ongoing blog difficulties. What is going on??]

    Saturday, October 21, 2006

    Lovecraft Launched, Now Into Day One --

    The Friday night launch of the Horror in the Hills: HP Lovecraft in Vermont event went purty well, concluding with lively readings from Faye Ringel and Joe Citro -- after a solid lineup of others, including yours truly.

    Now, off to bed, with Day One of the event ahead later this morning. My 4 PM presentation is set to go, offering an overview of the seminal underground comix Skull adaptations of Lovecraft's works (with a focus on the late, great Jack Jackson's version of The Hound and the very-much-alive-and-still-kicking Richard Corben delineation of The Rats in the Walls, to my mind still the finest of all Lovecraft comix or comics adaptations).

    OK, we're outta here! Lovecraft Fest, ho!

    Greater Horrors Every Day

    In the meantime, who can sleep any longer? We're reeling in escalating daily horrors of our own making. Any conceivable Lovecraftian horrors -- however cosmic in scale -- seem miserably feeble in the shadow of grim reality. With
  • Rumsfeld refuting culpability for the complete destabilization of Iraq and the utter failure of his own lunatic strategies and policies, insisting it's all up to the Iraqis now,
  • and the President maintaining his maniacal "stay the course" lunacy,
  • it's no surprise we're seeing
  • our own GIs driven round the bend in one of the most horrific (reported) stateside shockwaves of the war to date.
  • It's all of a piece, damn this fucking war.

    At this point, mere rats in the walls would seem a blessing...

    [Sunday AM note: This appears not to have been published as of this AM. Too bad -- well, here's hoping these blogging woes are worked out this week... keep you posted, nyuk nyuk!]

    Thursday, October 19, 2006

    Busy Weekend: Lovecraft, Houseguest(s), and More!

    OK, blog seems to be at last up and running as it once did -- thanks to all who responded via comment postings, as those let me know something was indeed visible and functional during the weeklong 'blackout.'

    Dashing off to Dartmouth College to attend Scott McCloud's lecture this afternoon, and juggling the weekend tasks associated with the Friday/Saturday/Sunday
  • Horror in the Hills Lovecraft in Vermont weekend festivities (this link will take you right to schedule and ticketing info),
  • which is shaping up nicely in the home stretch.



    I was on
  • New Hampshire Public Radio's Front Porch last night, talking about the event and H.P. himself,
  • and that link should provide you with a half-hour of Bissette babble to offset the past week's blog being down.

    For those of you in Brattleboro, I'll also be on Steve Twiss's 7-9 AM local radio program, spinning some of the rare Les Baxter LP score for the 1970 Daniel Haller film The Dunwich Horror, the James Bernard Horror of Dracula score (to promote the upcoming Wednesday 7:30 showing of that film at the Hooker-Dunham Theater, intro by yours truly), and more. Sorry, it's not available online; just a heads-up for locals.

    More later -- see some of you this weekend at the Lovecraft fest? I'll be manning a table part of the day Saturday, selling some books, comics and DVDs with my friend Joe Citro, and handling at least one afternoon panel and the 5:15 movie showings, including intros (and possible interviews with visiting filmmakers involved with The Cthulhu Chronicles, shown first at 5:15).



    Anyhoot, I'm outta here, and more later...

    Morning Ramble

    Ah, you don't want to hear it -- can't open my own blog this morning, like the rest of the week, to read or view it. Still, emailing of your posted blog comments to me indicate it's up and running for the rest of you, so I'll continue to post as time permits.

    Gotta run -- Scott McCloud at CCS, gotta meet with the bank about finances, and so on. Will write more later today.

    Tuesday, October 17, 2006

    Blogged Down

    This is the fourth or fifth day of blog posting problems, and the third day of not even being able to see my own blog, with no evidence it's visible to anyone else, either. I've written blog support numerous times, with no response or action I can detect. Sigh.

    Maybe, someday -- or perhaps it's time to just walk away from this time-drain.

    Common Ground!

    Yesterday afternoon, Brattleboro's famed organic whole-foods plain good eatin' restaurant Common Ground silently reopened, serving lunch to over 30 people. This is the Common Ground's 35th year of existence, and it's at long last reopening.

    After malingering a few years in the wake of its quarter-century cooperative worker-owned operation quietly folding up tents in the '90s, when such counter-culture-fueled imperatives were harder to sustain, a core group of the faithful hung on by their fingernails and protected the space amid occasional concerts and public events. The Common Ground restaurant, though, was a thing of the past.

    Nevertheless, the core group hung in there, and late last summer pulled together a new board of directors -- including yours truly, reluctantly serving but serving nonetheless -- with the sole goal of getting the Common Ground out of debt, back on its feet, and reopened as a viable working (and worker-owned cooperative) business that served good food: Common Ground, the restaurant.

    Yesterday was also my last meeting as an active board member. With the first lunches served and a goal to have the restaurant serving dinners by early November, and with my life pulling me north (in more ways than one, though the Center for Cartoon Studies is central to that pull north), the time was right to step down and away. I delivered a run of promotional 'silent opening' flyers and posters, and will complete my commitments relevant to the official reopening (t-shirts, press releases, etc.), but my job is done.

    Now, to enjoy lunch at the Common Ground later this week...

    ...and a tip of the hat to Batya (who was a coworker at First Run Video and among the Common Ground workers/c0-owners who tried to keep the restaurant operational in its '90s throes), and to Josh, Ian, Michael, Tim, Crista, and all who kept the faith in the darkest days. If I've forgotten anyone, my apologies -- it's early morning, and I'm rushing off to work.

    Monday, October 16, 2006

    By the time you read this, it'll likely be a moot point -- but the blog has been suffering quite a series of breakdowns of late. Posting from home has been nigh on impossible, and as of this writing I can't even load my own blog -- so there ya go.

    Sovernet (Southern VT Internet provider) has suffered many setbacks the past two weeks due to a major fire in downtown Bellows Falls, VT which poured gallons of water into key Sovernet operations areas. Everyone in Marlboro is suffering email and internet difficulties now, and much of it is traceable to the fire and the water damage Sovernet suffered.

    This may explain some of the difficulties; still, the latest request to the blog support yielding short-term relief for the weekend's posting problems now seems to have created far more consequential impact, making it essentially impossible for me to post at all -- or posts to appear, hours/days later, only after further complaints to blog support (forever answered, though some sort of invisible action seems to take place).

    More later --

    Monday Morning Blog Woes

    Well, as of this AM, I can neither read my own blog nor, it appears, post. Weird -- the emailing function of comments posted this weekend indicates some or all of you are seeing my posts, and commenting, though I can't engage with those comments, either.

    More later -- or, like, not.

    Congratulations to Ken Dahl on Ignatz Award!

    I share an office at the Center for Cartoon Studies with cartoonist Ken Dahl, aka "Gabby" -- and want to publicly congratulate Gabby for winning the Ignatz this weekend for best mini-comic for his creation Monsters.

    Huzzah, hurrah, and hallelujah, Gabby! You're the best.

    Congrats to all the other Ignatz Award winners, too, but hey, I share an office with Gabby, so he gets priority above all others.

    Now can I see a copy of Monsters?

    _____________

    Faith-Based Realities

    I vote, because I have faith my vote is counted. Of course, the fact my community still holds elections the old-fashioned way -- paper ballots, ballots hand-counted and re-checked -- and that my faith is reinforced by the fact my wife Marge serves on the counting committee is worth noting. It's a reality-reinforced faith, and I'm thankful for it.

    Some do not vote because they have no faith in their votes being counted (note Hemlock Man's presence on the comments to this blog -- he believes in and concedes to only Diebold's authority, though it's a faith he clearly resents harboring for rational enough reasons).

    Some do not vote because they have no faith their vote will matter -- hard to fathom after the last three election seasons, where so many tight races steered our country to its current path, but there you go.

    Some do not vote because they have no faith in government or our politicians, and see no way in which to effect change. Of course, not voting is sure to reinforce that inverted faith in being unable to change anything -- a self-reinforced faith, if you will, which certainly is difficult to argue with or against. If only all faith were so amply and immediately rewarded.

    I vote.

    I urge you to vote.

    This is not blind faith.

    This is the democratic system at its most fundamental, and I urge you to flex, at least, that voting muscle, please.
    _____________________

    Faith-based Government

    I see in Gillian Flaccus's Associated Press news story this past week, and via other recent election season news items, that the IRS is really mixing it up with churches and politics, investigating whether church election-season advocacy isn't violating the respective churches's tax-exempt status. Though I at first read about only liberal churches (like Rev. Edwin Bacon Jr.'s Pasadena, CA All Saints Church) taking the heat, I now read plenty of pro-GOP candidate churches are under scrutiny, too.

    This seemed inevitable after President Bush, Karl Rove et al claimed (however falsely) some sort of moral high ground in faith-based politicking as part of their 2000 and 2004 campaigns, and I see no reason it'll change anytime soon.

    It's also interesting that I am now receiving anonymous emails about this very blog, strongly advocating for the current President and his adminstration based on issues of faith.

    It's blind faith in part due to the fact you, oh anonymous authors, know who you are, and write with that assertive authority, and you know who you are emailing -- but lacking the courage of your convictions, you choose not to sign your emails.

    Hence, I do not know who is writing to me.

    Blind faith, indeed.

    Please, sign your emails.

    I am happy to converse with you, but must know who I am conversing with.
    ___________________

    Faith-based Blogging

    The blog is still acting odd this morning. Again, though I've written blog support (no reply as yet), I've no idea what's going on, or how to remedy the situation. I'll continue to post daily this week, and hope for the best -- like, that you get to read the daily posts.

    Faith-based blogging, ya dig...

    Saturday, October 14, 2006

    Curiouser and curiouser --

    The blog posts from Sunday afternoon on simply aren't posting through for my blog. I've contacted the blog support folks, and here's hoping it's cleared up soon!

    Reminder to all -- REGISTER TO VOTE!

    "Nobody will ever deprive the American people of the right to vote except the American people themselves -- and the only way they can do this is by not voting."


    - Franklin D. Roosevelt

    _______________

    (Mortifying, isn't it, the low percentage of the US population that does vote -- and the corrosive impact the Republicans have had on voting, between the Diebold voting machines, the last two presidential elections, and the latest move to require two forms of ID to vote? This alone should be prompting more US citizens to vote.)

    Friday, October 13, 2006

    Blogophobia!

    No, I haven't got that -- I've barely been home, or near a computer, long enough to post.

    It's been a heady week at CCS (heading out shortly, my fourth day this week), and yesterday -- my one "day off" -- I lectured at Keene State College to the summer reading program students and faculty (who had read Persepolis, reportedly reaping the strongest positive reaction from the students of any previous reading, formally opening the door to graphic novels for the entire college) and a late afternoon creative writing class, getting home about 7:30 PM.

    One stop: picking up a copy of Scott McCloud's new book, Making Comics. Drifted off last night reading it (which isn't a critique of the book itself, just noting my condition by evening's end).
    ___________________

    This weekend I'll be prepping for next week's CCS sessions and selling my wares on Sunday at Marty Langford's booth at the Worcester, MA Rock 'n' Shock horror convention.

    My dear amigo Mike Dobbs (G. Michael Dobbs) is spending both weekend days at the booth with Marty, and Mike has manufactured a brand-new item to sell at the show, custom-designed for the Rock 'n' Shock misanthropic crowd -- Marty will be handling his DVD from the good folks at Heretic, the very fine Magdalena's Brain, which I highly recommend, along with Heretic's releases of The Last Broadcast and Head Trauma, both sporting my most recent published and/or onscreen comics work, hence my participation at the table Sunday. I'll be bringing along some collectible rarities for sale, including Taboo back issues and some DVDs long off (or never on) the market.

    Maybe see some of you there?
    __________

    Many, if not most, of the Center for Cartoon Studies students are off to SPX this morning. If you're attending SPX, be sure to visit the CCS booth/table, and pick up some of the minicomics there! It's a great batch of work, and the students have been working their asses off on creation/production the past weeks, in major overdrive this week.
    Whew -- back to normal next week.

    I believe the VT/NH-based Trees & Hills cartooning collective will be there, too, sporting their new anthology which includes a brand-new two-pager (inspired quite directly by Edward Lear's Book of Nonsense) by yours truly and my son Daniel, so you might also save a bit of change for that comic, too.

    Have a great SPX, if that's where you be this weekend!
    ____________

    One of the highlights of this past week (among many) was the visit of James Owen to CCS. James and I used to see one another pretty regularly on the comics con circuit, especially as self-publishers (he with Starchild, me with Tyrant), though we'd met in 1992, a couple years before I launched my self-publishing effort (Taboo was my publishing/co-publishing effort -- it wasn't my work I was putting into print). James is on the book tour now for his new novel from Simon & Schuster, Here, There Be Dragons, and S&S graciously detoured James up to the White River Jct. hinterlands to visit CCS as part of the book tour.

    James was fantastic with the students -- he spoke eloquently to both freshmen and senior students, with some particularly potent, poignant exchanges with the seniors -- and made time for one-on-one visits with the interested seniors on their thesis projects. Thereafter, James and I broke bread with Sharyn of the White River Indie Film group I'm a board member of, and later Tuesday-night-into-Wednesday-morning spent some selfish face to face time just catching up on each other's lives and work. We talked until 2 AM, with much more to share but little energy left, with my fullest teaching day ahead of me and his day of travel before him.

    Still, it was great to have the time we had, and his making the time was significant: James is just beginning a rollercoaster ride I've seen others on a few times: Here, There Be Dragons has been optioned by Warner Bros. for film adaptation, and James is now a "hot property" in La-La Land, with all that encompasses. Most folks lose their moorings in the process, but I think he'll manage the ride fine, and his generous effort this early on to go well out of his way to connect with CCS and this generation of students bodes well for James's clarity of purpose amid the shitstorm of success.

    Wishing you luck, James, and thanks again for popping in at the Center for Cartoon Studies. You inspired a lot of young cartoonists with your visit, and bless you for that.
    ____________________

    Hmmm, posting to the blog has been a mysterious process of late -- I never know if my posts will post. Hopefully, this will be resolved for the better soon...
    ______________________

    More later today, as time permits...

    Sunday, October 08, 2006

    More Sunday Blather

    God, what a stunning day outside here in Marlboro -- and warmer here than it is in either Wilmington (due west, just over Hogback Mountain) or Brattleboro, which is unusual. We're higher elevation than Brat, must be a nice thermal layer lingering at our level. The early AM drive up to meet my parents, sister Kathie and her husband Jim for breakfast at our fave local diner (Dot's) revealed that, while we were frost-free this morning, the Wilmington side of Hogback was thickly blanketed. We noted a ten-degree difference between the two towns, though it's only an eight-mile drive. Ah, autumn in Vermont.

    Marge and I have been multi-tasking all day, too, with as much outdoors activity as we can manage between the inside and/or driving chores today. Heavy workload, twixt my prep and packing for three days at CCS this week, and an obligation for every day thereafter (speaking at Keene State College -- twice! -- on Thursday, CCS again on Friday, CCS prep for next week on Saturday, and co-manning a table at the Worcester MA Rock'n'Shock Show with Marty Langford, Mike Dobbs and others on Sunday), and all Marge is juddling, too. I'm doing laundry, too, per usual (my basement rooms are such a disaster area, only I can make it to and from the laundry room). We're also prepping for dinner with the extended family tonight, which will be fun.

    In any case, we've kept it as evenly paced as possible. Amid this, and to keep vibes blissful, I've been spinning some old LPs and recording some music for myself (for the long drives and for my CCS office space, where I've no CD player, only an old radio/tape player) and for my son Dan, who's joining us tonight for dinner here.

    Dan's quite the vinyl explorer and collector, and among his discoveries is a favorite for both of us now: Don Cherry and The Jazz Composer's Orchestra's February, 1973 recording of Cherry's Relativity Suite. I'm taping this for both of us, back-to-back with the rare Alejandro Jodorowsky soundtrack LP for El Topo, which I've held on to since 1972, still in excellent shape.

    Why the double-bill? Dan, bless him, identified the Don Cherry gem correctly as a partial soundtrack for Jodo's The Holy Mountain, his extravagant midnight-movie successor to the grandpappy of the '70s midnight movies El Topo. Good score, Dan, and quite the ear!

    My heart swells with pride.

    (PS: He's currently savoring my Moondog 2 LP, and already tracking down Moondog music new to me -- ah, the unexpected joys of parenting.)

    Some Sunday Announcements...

    Despite the resounding impact of this morning's startling revelation (see below, 10:45 post), I have recovered sufficiently to add the following semi-revelatory tidbits and nibbles.

  • The new Marvel paperback Doctor Strange Vs. Dracula: The Montesi Formula with an exclusive signed art print by comics great Gene Colan is ready to ship from PaneltoPanel.net,
  • and that seemed worthy of attention for any and all horror comic fans. This, as you may recall, is the final chapter of the original Colan-delineated Dracula saga under the ol' Jim Shooter Marvel regime, which in fact concluded with a "Death Certificate" signed by Shooter declaring all vampires dead, forever, from the Marvel Universe! Well, sorta forever -- that lasted until Shooter's reign ended and vampires were hot commercial properties again (in typical Marvel and capitalist entertainment industry fashion).

    Anyhoot, in honor of this new collection in trade paperback and Gene Colan's recent announcement of retirement, John Rovnak and Panel to Panel.Net is offering this signed b&w print featuring all-new Gene Colan artwork with every copy of The Montesi Formula. This print is available only at Panel to Panel.Net, and is in limited supply.

    Also available are exclusive signed bookplates and prints by Rick (Can't Get No) Veitch and Bob (Recess Pieces) Fingerman, with more exclusive bookplates coming soon for Rob Walton's Ragmap (highly recommended!), Rick Veitch's brand-new collected edition of his first-ever graphic novel Abraxas and the Earthman (I've held a copy in my hot little mitts, and it's also highly recommended and blows the old Epic serialization production and printing out of the proverbial water!), and Mirage Studios' Tales of the Teenage Mutant Ninja Turtles: The Collected Books Volume 1, as well as the Panel To Panel.Net exclusive Runaway Comic #2.1 by Mark Martin.

    So what are you waiting for? All this booty and more awaits you
  • right here!
  • See you there!
    ____________

  • The new issue of Donato Totaro's excellent online zine Offscreen
  • Featured this all-Chinese cinema issue (and good reading, all) is:
    * The 4th Life by Donato Totaro
    * Memoirs from the Beijing Film Academy by Daniel Garrett
    * And Always Searching for Beauty: Balzac and the Little Chinese Seamstress by Daniel Garrett
    * The White Countess: Merchant and Ivory’s Final Film by Guan Soon Khoo
    * James Marsh's The King by Ben Dooley
    ______________

  • As promised, Jason Whiton sent along this link for The Brattleboro Film Series,
  • including info on my October 18th intro for The Bride of Frankenstein and October 24th intro for the seminal Hammer classic The Horror of Dracula.

    More info on the sponsoring theater space, too,
  • here.
  • Sunday Morning Revelation

    An answer to an age-old question:

    Does the bear shit in the woods?

    No, on my lawn.

    Saturday, October 07, 2006

    First of the Weekend Ramblings...

    * I'll be introducing two of The Brattleboro Film Society's Wednesday night movies at the Hooker-Dunham Theater -- sponsored by local filmmaker and teacher Jason Whiton -- starting with October 18th's 8 PM showing of James Whale's The Bride of Frankenstein (1935), and the following week's October 25th 7:30 PM showing of Terence Fisher's The Horror of Dracula (1958). More info, links as those dates approach.
    ________________

    * The Lovecraft in Vermont October 20th weekend event is shaping up. Thus far, the schedule runs roughly:

    *Friday night gathering of the guests and attendees for introductions, general Q&A (moderated by organizer Alan Eames), and readings.

    * Saturday: Dealers room, 10-12 noon; afternoon events (times to be posted) include a panel with Joe Citro and Faye Ringel, a panel of Lovecraftian media (moderated by yours truly), an afternoon showing of Jayson Argento's The Cthulhu Chronicles, Episode 1: The Ropes (2006), and an evening illustrated lecture (by yours truly) on Jack Jackson and the underground Lovecraft comics, followed by a showing of the H.P. Lovecraft Historical Society's feature film The Call of Cthulhu (2005). There's more, to be announced...

    * Sunday AM: The Lovecraft in Vermont tour, hosted by Alan Eames -- visit the sites Lovecraft visited in 1927 and 1928. Ends approximately at noon; end of event.

    For more info, click over to
  • the Lovecraft in Vermont website.

  • __________________

    Now that our Prez has so openly admitted to his own appetite -- oh, excuse me, our collective need -- for torture, and cleared up our misplaced suspicions about those rumored once-top-secret CIA-op European detention sites,
  • new allegations of casual and habitual abuse at Guantanamo have surfaced this week, but
  • the Pentagon is investigating,
  • and the foxes continue to vigilantly guard the henhouse, assuring us one and all in the name of freedom no blood has been spilled.

    More later this weekend, as time permits...

    Friday, October 06, 2006

    Friday Morning Hustle

    I had a great post planned, but alas, time is against me. One thing is for sure: I have to find a way to cut back on my various community obligations, as it's eating up an enormous amount of time. Between my work on two board of directors and the ongoing struggle for broadband access for my present home town, Marlboro, and the weekly prep for CCS teaching (my main gig) and trying to fit freelance and, yes, blogging into the mix, it's a juggling act I occasionally lose ground on.

    A morning-into-afternoon broadband meeting yesterday drove home the sobering reality that Marlboro is indeed a no-man's-land in terms of any 21st Century communications. For a variety of reasons (including things the town has never had any control over, like the utility pole spans), though we're only ten-twenty minutes away from Brattleboro, which is fully wired (and wireless), Marlboro does not have and it appears may never have cable of any kind -- not video, not broadband, not phone, and I've seen the maps to prove it.

    Satellite isn't an option for many of us, due to lack of southern sky exposure and treelines, and it's apparent that the only way Marlboro is ever going to get broadband is to build it as a wireless network -- which means, as the technologies leap ahead, we'll be obsolete before we've erected our first tower or antennae.

    I've mentioned the toll here a number of times, and it's measurable each week: the sites I can simply no longer load due to dial-up, the services I've had to drop due to dial-up only access, and as of 2006 I can begin to clock potential jobs lost due to lack of anything but dial-up. The frustration factor of dealing with a high-speed accessible world reaches absurdist proportions that would be delightful if they weren't so increasingly damaging, but it's always been a factor of living in the sticks: I still recall DC editor Karen Berger's amazement that there was no messenger service or taxi service here. The old days of Fed X next-day delivery being the best option have given way to publisher requests for immediate transmission of photos or images -- impossible with dial-up only, particularly the kind of files needed for printing purposes -- and resulting calamity if one doesn't comply instantly.

    In time, I fully expect the morning coming when I simply can't post on this blog, due to some overnight upgrade of the system. It's already impossible to post from my old Mac, or even open email on that computer.

    I refuse to engage in the economy of spending thousands of dollars annually just to stay abreast of computer upgrades, and may willingly leave this virtual realm behind soon just to "buy back" the endless hours spent trying to wade through email on a daily basis. In one way, I'll be cutting myself off from a great deal; in another, think of all the time I'll have to write and draw again...
    _________________

    Finally: Shave and a Haircut -- ?

    Have a great weekend, though I'll try to post more off and on as time permits this weekend, too.

    Thursday, October 05, 2006

    Woolly Bears and Woolly Nights

    The long weekly drive up interstate 91 to and from White River Junction and The Center for Cartoon Studies has been a pleasant one the past three weeks. The seven-day span between autumn shifts in climate and color has been a bookend to everything else the days offer, enhancing the quiet drama of the usually-subtle shifts visible from our home windows. The leaves have gone from green to brown-orange to this week's early phase of full-blown fall colors; they'll no doubt hit peak this weekend and week here in the southern end of the state. The highway has been peppered with the travels of the black-and-red tiger moth "woolly bear" caterpillers, with this week's sunny Tuesday morning drive crowded with more of the tarmac-hustling critters than I've ever seen.

    There's all sorts of venerable Vermont winter predictions attached to the caterpillers, none of which have ever weighed out as true to my eyes. The woolly bear predictions sometimes hinge on quantity, most often on the comparative bandwidth of red-to-black fur ratio, but it's all hooey to me. I just love the little buggers, and look forward to the fall sightings.
    _______________

    Yesterday afternoon the CCS drawing workshop session was the now-annual pilgrimage of my class to the Montshire Science Museum in Norwich, VT, and we were blessed with welcoming weather all afternoon. Per usual, scatter/sketch was the modus operandi, and big fun was had by all -- there's all manner of "models," from the exhibits (live and mechanical, mobile and stuffed or pinned) to the other museum visitors -- and all outdoors, too.

    The nature trails were inviting, and I spent some of my time there sketching the trees in view, including a view from the edge of one of the upper trails. As I drew the conifers jutting out from the far edge of a deck constructed at that trail's entryway, two Monarch butterflies sailed by, laboring south ahead of the cold front that settled in after midnight this morning. I dutifully added these orange wonders to my drawing, and then sought out a new perch to draw from.
    ________________

    My parents are up visiting this week and weekend, to be joined by my sister and her new hubby later today or early tomorrow. It's great to see my pa and ma, and Marge and I are planning to take 'em all on a little jaunt from here to midstate if the days stay cool and sunny enough. I'm lucky my parents are still with us, and savor whatever time we can steal amid all the hubbub we laughingly call our lives. If all goes well, we'll also be able to get the generations together for a meal or two -- my folks and my now-adult offspring Dan and Maia -- which should sweeten the weekend! Wish us luck...
    ________________

    I'll have more news to post on the upcoming October 20th weekend Lovecraft in Vermont event later this weekend, along with announcements on two other upcoming events some of you might be interested in. More soon --
    ________________

    Oh, what a relief!
  • Though the party claiming our collective security is their exclusive turf can't even keep the pages safe from their fellow Republican predators,
  • I can now relax and rest assured
  • the bipartisan Ethics Committee is on the case.
  • They've so rigorously protected all of us from government corruption that I'm sure they'll nip this nasty October Surprise in the bud and make ample room for whatever it might be Karl Rove has up his sleeve for this month instead.

    Tuesday, October 03, 2006

    What Lies Beneath

    From a recent speech by Vermont's own Senator Patrick Leahy:

    "What has changed in the past five years that justifies not merely suspending, but abolishing the writ of habeas corpus for a broad category of people who have not been found guilty or even charged with any crime? What has changed in the last five years that our Government is so inept and our people so terrified that we must do what no bomb or attack could ever do by taking away the very freedoms that define America? Why would we allow the terrorists to win by doing to ourselves what they could never do and abandon the principles for which so many Americans today and through our history have fought and sacrificed? What has happened that the Senate is willing to turn America from a bastion of freedom into a caldron of suspicion ruled by a Government of unchecked power?

    Under the Constitution, a suspension of the writ may only be justified during an invasion or a rebellion, when the public safety demands it. Six weeks after the deadliest attack on American soil in our history, the Congress that passed the PATRIOT Act rightly concluded that a suspension of the writ would not be justified. Yet now, six weeks before a mid-term election, the Bush-Cheney Administration and its supplicants here in Congress deem a complete abolition of the writ the highest priority – a priority so urgent that we are allowed no time to properly review, debate and amend a bill we first saw in its current form less that 72 hours ago. Notwithstanding the harm the Administration has done to national security with its mismanaged misadventure in Iraq, there is no new national security crisis. There is only a Republican political crisis. And that, as we all know, is why this un-American, unconstitutional legislation is before us today.

    We have a profoundly important and dangerous choice to make today. The danger is not that we adopt a “pre-9/11 mentality.” We adopted a post-9/11 mentality in the PATRIOT Act when we declined to suspend the writ, and we can do so again today. The danger, as Senator Feingold has stated in a different context, is that we adopt a pre-1776 mentality: one that dismisses the Constitution on which our American freedoms are founded. Actually, it is worse than that. Habeas corpus was the most basic protection of freedom that Englishmen secured from their King in the Magna Carta. The mentality adopted by this bill, in abolishing habeas corpus for a broad swath of people, is a pre-1215 mentality.

    Every one of us has sworn an oath to uphold the Constitution. In order to uphold that oath, I believe we have a duty to vote for this amendment and against this irresponsible and flagrantly unconstitutional bill. That is what I shall do, and I urge all Senators on both sides of the aisle to join me."

    Monday, October 02, 2006

    Monday Links:
    Once Around the Course...


  • The latest Republican scandal, sure to put some, ah, cream in your Monday morning coffee (and hey, check the Representative's voting record, using the link in the first paragraph).


  • Here's Dan Barlow's article on the DVD release of Head Trauma and The Last Broadcast with an eye toward the work I, my son Dan, and the Center for Cartoon Studies students did on the film (Head Trauma) and DVD extras (Last Broadcast),
  • and here's Heidi McDonald's Publisher's Weekly The Beat online news item about it.
  • BTW, Dan Barlow is a vet reporter though only in his 20s; he started at The Brattleboro Reformer in 2002 and now writes for the Rutland Herald's Southern Vermont Bureau. Thanks to Dan, Brattleboro area news has consistently been on the front page of the Herald and distrubuted on the AP wires. He's been a receipient of the New England Press Association's Best Reporting Award for Racial/Ethnic Issues (2003), appeared on NPR, BBC Radio and media panels, braved the 2005 24-Hour Comics event and created his own first 24-Hour comic, and thereafter became co-founder of Trees & Hills, a tri-state collective of comic book writers and artists (special thanks to Phayvanh Luekhamhan for some of the info here). Dan's also the only journalist (we didn't even get any online coverage -- for shame!) who wrote about Rick Veitch's and my own role in the creation of John Constantine when the movie Constantine opened nationally. So, just, thanks, Dan.

  • My just-posted review of Coke Sams's truly buried classic 1999 film Existo!


  • A bit of news from Coppervale Studios one-man cartoonist/author and 1990s indy tour amigo James Owen and the latest turn of events for him and his just-published novel Here, There Be Dragons; good luck, James!

  • Other Monday morning followups (no fuckups):

    * Kudos to Heath Lail for taping Ali Baba Goes to Town for me! Heath wins a prize, which we're tuning details on via email, and my heartfelt thanks (and Marge's -- she was eager to see it again, too)!

    * Other personal news: My son Dan and I indeed completed a two-pager ("The Trees & Hills Nonsense Nook," inspired by Dan's current fascination with Edward Lear) for the upcoming Trees & Hills anthology comic. Co-editor Colin Tedford (with VT's own Dan Barlow) just informed me that Mark Martin turned in a one-pager, too ("Picklefest Fauxpas"), meaning Mark and I share pages for the first time since -- Tyrant #4!

    * Kudos to Tim Lucas (and news of interest to old Taboo buffs): Our mutual friend from Canada, Harvey Chartrand, informs Tim and I that the latest Rue Morgue magazine (the Halloween issue) is out, and "In a review of horror literature dating back to Monk Lewis, [Tim Lucas's debut novel] Throat Sprockets is cited as one of the 50 essential horror novels." Congrats, Tim, and well-deserved!